The Berean Expositor
Volume 50 - Page 18 of 185
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we look at the Psalms in our English Bible we note that the phrase "To the chief
Musician" is always found at the beginning of a Psalm, or, in other words, as a
superscription. We should bear in mind that, in the original manuscript, there was no
break or division between the various Psalms. There is not even a space between the
lines from the beginning to the end of a page. Consequently, when the Psalms were
separated, a division had to be made somewhere and our Bibles follow the Septuagint
who consistently divided and put the phrase "To the chief Musician" at the top of the
Psalm, whereas Hab. 3: makes it clear that this should have been left as the subscription
of the preceding Psalm. In other words some of these titles have got appended to the
wrong Psalm!
No wonder that Bible commentators have been puzzled in the past and could find no
connection in meaning of the title to the Psalm to which it was attached. If we read
Hezekiah's psalm of praise recorded in Isa. 38: 9-20, we find he ends in a similar
way to the phrase "To the chief Musician". He says ". . . . . therefore we will sing my
songs to the stringed instruments all the days of our life in the house of the Lord" (20).
The Psalms therefore had three divisions, not two. (1) The superscription, (2) The
Psalm proper, (3) The subscription, "To the chief Musician". It is good to know that the
Psalm titles have been correctly appended in The Companion Bible, though we do not
know of any other edition of the Bible where this has been done.
Once these titles are in their right position they begin to shed light on the Psalm to
which they are properly attached. They do not solve every problem as, in some cases,
there is not agreement among scholars as to the exact meaning of some of the
Hebrew words. As an example of the help in understanding that Dr. Thirtle's discovery
gives us, we can look at Psa. 55: In our A.V. the phrase "To the chief Musician upon
Jonath-elem-rechokim" stands as part of the superscription of Psa. 56:  Using the key
given to us we should place it as the subscription to the previous Psalm which is 55: The
words mean "the dove of the distant woods" and we shall search Psa. 56: in vain for any
reference either literally or figuratively to a dove. But the moment we connect it with the
55th Psalm we cannot help but notice that in verse 6 David says:
". . . . . oh that I had wings like a dove! for then would I fly away, and be at rest."
David likens himself to a dove. He was in deep trouble through the rebellion of
Absalom recorded in II Samuel 15:-19:  Like Hezekiah, "he mourned as a dove"
(Isa.xxxviii.14). He tells of his weeping, his fearfulness and trembling and how he
longed to be like a dove, to fly away and be at rest (verses 4-8). Not only did he face the
deep trouble Absalom's insurrection brought, but he was deserted by his close friend
Ahithophel to whom he alludes in verses 12-14:
"For it was not an enemy that reproached me; then I could have borne it . . . . . but it
was thou, a man mine equal, my guide and my familiar friend (R.V.). We took sweet
counsel together and walked unto the house of God in company."
David knew the bitter experience of being let down and deserted by a close friend.
With all these troubles pressing upon him, no wonder he longed to be like a dove and fly